Monday, 19 November 2018

autumn sewing: M7516 robe

It's mid-November, the worst possible time of the year except for all of January, so what we need now is comfort clothing!


I love my Asaka kimono, but it's not ideal for really cold evenings, so I've been continuing to wear Patrick's ancient fleece one, despite three failed attempts before, during and after making his fancy new robe to make a replacement for myself. My criteria were simple: I wanted a pattern designed to make a stretchy, cosy garment, and also I never wanted to sew a shawl collar ever again in my life. M7516 came up in my searches and I decided it was the one. Since it came with a hood, I could have the shawl collar effect without having to... do all that stuff I never got the hang of. Yay!


All in all, the pattern turned out not to be ideal and I had to make several alterations to it. It came with neither pockets nor belt loops (WHY do so many patterns of this type not come with belt loops?? I WILL LOSE THE BELT WITHIN MINUTES, GUYS), and I also changed the length quite significantly. The fabric requirements specify 2.5m of the main fabric, and I bought 3m with the intention of also getting patch pockets, the belt, and as much extra length as possible out of it. Which I did. My robe is approximately 11 inches longer than the pattern and I think it's about right for what I pictured. I also added a bit of length to the sleeves. OK, I added waaaay too much length to the sleeves, ended up with some kind of weird Slenderman thing, and cut them back again. This is still definitely longer than the pattern but I'm not sure by how much. I really hate too-short sleeves in dressing gowns.



My main fabric is a French terry I bought from Girl Charlee. I've only bought from them once before and my experience was mixed - both fabrics looked and felt lovely, but the cotton spandex blend washed very poorly and didn't have great recovery. The sweater knit, though, is still going strong, so I thought I'd take a punt on a third substrate. This one is lighter weight than I expected but very soft and snuggly, and I don't have any complaints about its quality so far. I'm tempted to order a few swatches to try and get a better overall read on what I can expect from them in general.


The black floral I used for the lining isn't the perfectly contrasting jersey I might have chosen, but I had this in my stash and figured that barely any of it would show so why not. The pattern instructs you to cut the belt out of the contrast fabric as well, but I don't like the way that looks and never intended to do it. I think I assumed that there would be some kind of facing along the dressing gown's opening to be made in the contrast fabric, and I thought maybe I would be able to squeeze it out of my main fabric. However, there is not a facing. You just cut the entire front piece again. The dressing gown is therefore two-thirds lined, which I find... weird. I suppose it does make it a bit warmer.


Construction was pretty simple, and if we discount the time I took to unpick a seam I'd sewn between two edges that weren't meant to go together, it only took me about three hours. I put the belt loops in at the smallest point of the waist and added the pockets about an inch below that (one of them is a bit wonky, but it's not repair day yet so correcting it is going to have to wait). Pocket-wise I just cut two squares from the largest scrap I had left over after cutting everything else, so I'm not actually sure how big they are. Big enough for my phone and a bunch of tissues, which is all they'll ever need to hold anyway.


I also made another So Zo cami from the same material, which I'm wearing here because it matches and I think it's cute. I am also wearing an old pair of capri-length exercise leggings, which are much less cute. I don't have masses of this floral fabric left, but I am considering using it to make a pair of shorts. I've never had a desire for lounge shorts before, but all my full-length pyjama bottoms look weird under this dressing gown (probably in part because the patterns and colours don't go at all) and a matching black shorts-and-cami set would probably be a nice (and space-economical) idea for weekends away.


For what I wanted - a cosy dressing gown that's much more attractive and presentable than the one I've been using for the last few years - this does the job very nicely. The slightly incongruous lining fabric bothers me less the more I wear it, it's SUPER comfortable, and the longer length makes it a bit more sophisticated than it would otherwise be. I'm not going to put it on to greet guests or anything, but I wouldn't be embarrassed to answer the door in it. I'm calling that a win.


Up next: trousers! I'm genuinely concerned I'm going to wear thigh-holes in my red ones if I don't introduce a bit of variety 


(I don't generally wear giant orange chandelier earrings with my dressing gown, they're just the earrings I put on for the day, but I have to say I don't hate it. For some reason the idea of wearing a tiny bit of a colour that doesn't go at all with the rest of the outfit appeals to me tremendously. Great, now I'm going to need loungewear earrings.)

Monday, 12 November 2018

autumn sewing: Simplicity 1613 twist top

I had this one cut out for nearly two months before I actually persuaded myself to sew it up, because I just did not want to do it. But finally, I got it done!


(We're back in the stairwell for these photos, because it's November and it's too cold to go outside without a coat on.)

Last time I made this top I remember being super frustrated by the instructions, to the point that I was delving super deep into Youtube for "fourteen views and one solitary like" videos of someone making this top while filming themselves on their phone. And because it was a year and a half ago, I couldn't remember how it was actually done. And also I'd lost both the band facing piece and the sleeve piece. And now the pattern is out of print. So we're off to an excellent start here.


I remembered enough about how it was supposed to look not to have the main problem I had last time (general bafflement over wtf was going on and not enough information in the instructions to help me power through it), but the bit where I had to attach the band to the front panel and then to the front facing still confused me and I did it wrong. Unpicking a stretch stitch sewn in black thread into black jersey is not fun and I do not recommend it. I made more than one accidental hole in the fabric that had to be patched up, and that's not the nicest thing in the world either. I ended up getting it right almost by accident, and I have no idea if I'd be able to recreate it again on purpose. The end result is still a little bit wonky as the neckband hasn't been incorporated far enough into the seam on one side, but if you think I'm doing any more horrendous unpicking to tidy it up, then you must be new around here.



Because I didn't have the sleeve piece I altered all the armscyes to the one from the Deer&Doe Givre top, which fits my shoulders perfectly, and used that sleeve. I was convinced it wasn't going to work but it's actually completely fine. Part of me wonders if I should have extended the sleeves to full length, but I'm not actually sure I had enough fabric to do that. Since it's a slightly fancier top I think it should be fine.


This is a much more successful version than my previous one (though the whole detail bit looked better last time). This jersey is much stretchier and has better recovery so it fits in a way I much prefer, and also will actually go with other clothes I own. And as a handy bonus, because the facings come about halfway down the torso it's much warmer than a standard light sweater knit top. I bought several metres of this fabric last year intending to turn it into a winter Kielo, but instead I've just gradually cut bits off to make black jersey tops in slightly different styles. It's all gone now and I have three successful tops, so the black jersey top portion of my wardrobe is now very much full. The Simplicity 1613 portion of my wardrobe... is also probably full, let's be real. Though I've been suddenly possessed by stupider ideas before, so who knows.

Up next: dressing gown time! And I have much to say about it...


Sassy side-eye! 

Monday, 5 November 2018

motivational sewing: skinny M7726 and a cropped sweater

Hey! Not wanting jinx anything, but getting that damn jacket done and off my sewing pile does seem to have loosened the blockage in my sewjo and I'm actually getting things done again! Bookending it with a couple of cool and/or simple motivational projects worked really well, and I have two of them to show you today. I've worn the shit out of my wide-leg McCalls 7726 trousers and I really wanted to make another pair. Given that it's November it's bound to start being wet and unpleasant soon, and wide leg trousers aren't the most practical for that, I went for the slim leg version. I haven't worn slim leg trousers in years so this was a bit of an experiment for me.


I'm still not 100% sure about how flattering these are, but they're so easy and comfortable that I straight up do not care. I've been gravitating to trousers way more than tights recently (though this may just be because I'm lacking in cold weather dresses) and I've been quite happily wearing these multiple times a week since I made them. The fabric is a crepe I bought from my favourite stall in Walthamstow Market, and it's got a really nice balance between weighty and drapey. It's also a great autumn/winter colour.



When I decided to make a different view of the same trouser pattern, I assumed that the only change would be using the slimmer leg pattern piece and the construction would remain fundamentally the same. For some reason, that is not the case. There's a whole separate sheet of instructions for the slim leg version, and they create the same effect quite differently. For the wide leg trousers, you make the pleats very early on in the construction process, then fold down the waist facing and slipstitch it down at the end. For the slim leg, you don't make the pleats until the trousers are basically completely finished, and you incorporate the facing into the pleats. I'm not sure why this is so different, nor do I know which version I prefer. On the one hand, sewing the facing into the pleats means no time-consuming slipstitching, but on the other, it's much easier to tweak the fit when you can flip the facing up and it's actually kind of confusing sewing the pleats last. When do you ever sew the pleats last?


I also discovered that the problem I had with the pockets on my last version was my own fault - I hadn't basted the pocket to the side seam in the right place, meaning that the opening was much longer than it should have been. My phone sits quite happily concealed in these pockets. These trousers just close with a zip and no fastening at the top, because I wasn't feeling well and completely spaced out on what I was meant to be doing, so there's nothing holding the fly closed at the top. That's not great, but again the sash covers a multitude.


After I finished these I didn't think I'd want a third pair. It's such a specific style and silhouette that I thought three pairs might be overkill, but since then I've worn these so often that I'm starting to think another slim leg pair might be a good idea. I quite like that I can't just whack on any old top with these - putting effort into my outfits is part of what helps me stay on top of my depression. I actually went back to Walthamstow this past weekend with the intention of buying this same fabric in a different colour, but the only other colour they had was bright-ass emerald green which is not the most versatile for trousers. Though obviously I bought a bunch of it anyway. You know me and bright-ass emerald green.

 I also made another one of the items of my sewjo-boost list:


This is another cropped sweater from Gertie Sews Vintage Casual. This is basically the only pattern I use from that book, but at the same time I've never found a better pattern for casual sweater knit tops. The combination of length, shape and neckline just works for me. Tops with multiple neutral colours have always been my go-to, but I haven't made any for a while because I've been so focused on making one-piece outfits (also I put myself off making jersey tops because I kept trying to combine multiple patterns and not doing it right). I'm definitely having a trousers moment, though, so this will be incredibly useful.


 I made a few changes from the original pattern. I added a bit of shaping into the bust as a very lazy FBA, I extended the sleeves freehand, and I added some wide cuffs (a detail I always like). I did keep the original hand-sewn neckline and I think I always will - I know it's not the strongest finish but I like that it's free of visible stitching, especially in a fabric like this where you'd be able to see the colour of the thread every other stripe. I've tried putting a neckband into this pattern more than once, and it always changes the shape of the neckline which always results in me hating it.

(I also made another of these, but since it's exactly the same except plain black with short sleeves, I figured we don't really need photos of that as well. Also it's cold and I don't want to go outside with my arms out.)

Two things in one post and I'm still ahead of myself! Yay! Next up will probably be my Simplicity 1613 twist top, which is finished but also has two surprise holes in it, so I'll either have to fix them or buy an ostentatious brooch before I photograph it...

Monday, 29 October 2018

autumn sewing: the triumphant completion of my white leather jacket (and bonus Vogue 9199)

Look!


I'm not going to lie, when I got to mid-October and still hadn't even started this I thought it just wasn't going to happen. The test version was super-draining to my sewjo in general, particularly when I realised that it was too uncomfortable to actually wear, and I still haven't quite recovered (as my much less frequent posting has probably given away). When I put it on the list in the first place I knew that making a second jacket so soon would either clear away all the residual YARGH and let me get on with things normally again, or would stall me completely and utterly. And for ages, it was the latter. I made plans for getting everything going again nearly a month ago, made the Magnolia dress and then stopped. A week later I spent the entirety of Monday sitting on the kitchen floor cutting out a dozen things. Two dresses, a pair of trousers, a HUGE pile of jersey tops... and two versions of this stupid Burda jacket. Two. What is wrong with me? But it turned out to be motivation enough to get on with it.


Thankfully, this version is WAY better than the test one. The fabric is much thinner and softer, so it's comfortable to wear and isn't such a pain to do up, the hem isn't wonky, the sleeve heads aren't huge and puffy, and the zip is the right length. Also, all the zips match this time. I bought the front and sleeve zips from the same eBay shop I used last time, but bought the pocket zips in person to make sure the teeth were the right colour.



I bought this fabric from myfabrics.com. I'd been dreaming about it for a few months before I bought it, but I misunderstood the description and thought it was actually embroidered. It's not, it's just a pattern printed on. It's very different from my first fabric - it's a super thin, super soft plastic-like sheet bonded to backing fabric, which seems to be more the norm than the other faux leather, which was just SOLID. Much to my immense confusion, though, the backing fabric is 100% unresponsive to Superglue. It absorbs and dries the glue literally instantly, leaving you with a small hard crusty spot that won't bend. This was a problem I just hadn't anticipated. No glue, no pins, no tacking stitches. I just about managed to get round that for attaching the zips, but for the hem I literally had to resort to tit tape, and I don't think it's worked that well. My third piece of faux leather, also a thin sheet on backing fabric, has no such issues with Superglue, so I don't know what the hell this stuff is made of.



So, having now made this jacket again with some idea of what I was doing and only one major fabric issue to deal with, I feel more confident in saying that Burda instructions really aren't very good. Certainly these ones weren't. Everything I've read prior to this suggested that the biggest Burda point of contention was the lack of seam allowances on the pattern pieces (I get both sides of the argument - my biggest problem is that I cut out/trace on autopilot and always forget I have to add stuff), and instructions were only mentioned as being "sparse". I don't feel like I'm in a position where I need too much hand-holding, so I wasn't concerned. If I get stuck on a thing, there's usually a more in-depth tutorial lurking around somewhere. However, these instructions weren't so much "sparse" as they were "confusing and occasionally outright wrong". At one point it instructs "sew lining to jacket" when what they mean is "sew lining to facing" and they absolutely do not want you to sew the lining to the jacket, because you haven't done the collar yet. I'm also really not a fan of the way they put about three hours' worth of work under a single bullet point. It means things that sorely need diagrams don't get them, and it's really easy to miss out a step. I didn't topstitch the collar and lapels when I was supposed to because it was under the "Hems" bullet point and I'd finished all the hemming. Luckily that wasn't too hard to correct after the fact.


I'm much happier with the overall construction of this jacket, but a lot of the finicky details still aren't great. I don't have a ton of pocket lining showing this time, but you can see way too much zip tape. The stitching line on the lapel isn't quite where it should be because I wasn't sure how to effectively work round the zip stop. The lining is right at the bottom edge of the jacket, presumably because I don't fully understand the hem instructions. Or possibly it's just that the tape didn't work. I've nearly finished version three and I'm planning to put a leather-look ribbed waistband on that one instead of wrangling with the hem again, but there's a horrible, horrible part of me that wants to try making a fourth version, out of a cotton I don't really care about, so that I can work on the techniques in a fabric that will allow me to pin stuff and potentially work out where I'm going wrong.


This is not the most practical thing I've ever made, but I think it's great. I've got a lot of neutral stuff I can throw this over, and also because there are so many colours in the print it actually ties in well with a ton of other colours. I enjoy having the occasional piece of statement outerwear (see also this) and it brightens up the "black top and silver jewellery" phase I seem to be going through at the moment. I do need to make a different style of trousers to wear it with, though, because it doesn't work so well with giant waist sashes.

Also, what I'm wearing underneath:


This is the remade version of the black Vogue 9199 I made last year (I never blogged that one, but here is my original dress), which was super useful but also made of terrible fabric. It got to the point where I was putting it on and taking it straight back off again several times per week because I so badly wanted to wear a simple black dress that would be a good backdrop for accessories, but the actual garment hung so unattractively that I couldn't face wearing it outside. It lost shape within a couple of months and then just became a giant hole in my wardrobe. I've been looking for the right fabric to remake it ever since, and nothing had presented itself until I went to the Knitting and Stitching Show a few weeks ago and found Stoff & Stil selling precut lengths of very black, very substantial ponte. So I bought one. In hindsight I wish I'd bought three.


Full disclosure: the fabric is not 100% perfect for this dress. It's got the thickness, the colour and the stretch, but not quite the drape. It's a quibble not a dealbreaker, but it does mean I'm not going to buy the fabric in every colour in comes in to buy more. (I am, however, almost certainly going to buy more of this exact stuff to make some smart-looking slim fit jersey trousers, which I didn't know I wanted until I saw this fabric.) I adore this pattern, but fabric choice is absolutely key to making it work. I've made more than one version of this dress which were totally unwearable because the fabric was a tiny bit wrong. Not quite enough stretch, not quite enough thickness, not quite good enough recovery. 



You can see above that I ended up doing a vaguely high-low hem on the skirt. I feel like this dress needs to be mini-length on me - more than once I've cut the pattern pieces longer to make a more versatile dress, and every single time I've cut it right back off again because it just looks frumpy. However, if a skirt has any amount of flair or fullness whatsoever I need to be careful about how short I make the back, because I have got a LOT of ass. In a fabric like this that doesn't have a ton of drape, if I made the skirt mini-length all the way round (even making it longer in the back so that the hem looks even when it's on) there's not enough fabric to cover my bum and then drop down straight again, so it just kind of stays sticking outwards, resting precariously on a bum-shelf that then opens the door to a world of potential wardrobe malfunctions and embarrassments. So after a couple of hours of pinning and re-pinning the hem to see if there was a happy medium place, I just gave up and went for the look I wanted in the front and the coverage I wanted in the back. It's a tough world for a super-curvy woman who actually really likes the shape of her thighs. 


I think I'm going to get year-round wear out of this dress. It's a great shape for me, it goes with everything, and I can wear it with bare legs or extra thick black tights and boots. It does make me want a bunch of really long silver necklaces, which I now don't feel like I can go out and buy because I can make simple silver jewellery myself. Maybe if I get a few different lengths of chain and work out a set of themed pendants? I don't think I have enough time left in my current intermediate class but I could probably book a studio day at some point. 


Next up: for the first time in ages, I'm actually a week ahead of myself in posts, so I'll have a pair of trousers and a top to show you next week! Hopefully I can keep the momentum up now that the stupid jackets aren't hanging over my head. 

Monday, 15 October 2018

Magnolia the mojo dress

Success was had!


First and most important point on the new Deer and Doe Magnolia dress: this is exactly what a mojo-recovering dress looks like for me. It's super sexy without being tight or skimpy or difficult to sit down in, it was a pretty simple make that was easy to finish cleanly (thus giving me 'good construction' vibes) and it means I can do this pose, which I really enjoy doing but looks a bit silly with everyday clothes. So it's very much a winning garment. Amber Moon has finally returned!

Also, welcome to a different corner of my garden. There was random and confusing October sun and this was the only direction which didn't cast gigantic awkward shadows. No, I didn't bother to pick the chair up first. 


The dress comes with two versions: version A, which is maxi-length and super low-cut (it precludes wearing a bra by design) with long billowy sleeves cuffed at the wrist; and version B, which has a more modest neckline, flutter sleeves, and a knee-length skirt. This looks very much like a straight version A, but it's not quite. I wanted to get somewhere in between the two necklines so I could have the effect of a low-cut top without having to go without a bra, so I cut the bodice for version B, basted the rest of the top together, and adjusted the front pieces so that they crossed just slightly higher than the centre front of my bra. I had to cut the front waistband a fair bit longer to make that work, but it's actually turned out for the best since my back is way narrower than my front anyway. I should probably do this more. 

I also left off the elasticated sleeve cuffs, which was more necessity than choice. We'll get to that. 



The fabric is a textured viscose that I got from a stall at Walthamstow Market. It was £5 per metre but he let me have it for £3.50 since I was buying quite a bit of it and I'm there regularly enough for the dude to recognise me. It's really nice stuff; it feels and drapes like silk but sews up like viscose, so it's really easy to work with. I bought five metres; I probably could have squeezed it out of four, but I wanted to have enough to recut the bodice if I needed to and to be able to make bias binding. I've never done that before but I really couldn't see how this neckline and fabric would work with the purchased stuff. It was time-consuming but it worked pretty well, and I ended up making more to bind the left-hand seam with the zip in it as well. All the other seams are French seamed, leaving me with lovely clean innards. 


I do have a few points to note. Firstly, you may be able to see that the dress comes up a little bit short on me. I do sometimes have this problem, but I equally often have the "giant pools of fabric around my feet" problem, so I can't give you a useful indication of how much I differ from pattern norms. I'm so helpful. Check the length if you're tall, I guess is what I'm saying. 

Secondly, I was fully intending to do the cuffed sleeves, but the sleeves are both too short and too tight in the upper arm for me to do that. I do have disproportionately large upper arms (muscle on the top, fat underneath, yeah!) and have had several projects fail because long woven sleeves made my arms sad, but I hadn't expected to have this issue with what looked like billowy sleeves. It may be that my arms are just that big (I have ACTUAL BICEPS now, thank you), but I'd advise measuring if you too are a member of the Bicep Sisterhood. I took a bit of volume out of the sleeves below the elbow - maybe two inches - and hemmed them where they fell. I really like them like this and am not at all disappointed at the lack of billowing, which I have never tried before and could very easily fall into Teen Goth Jen Looking Sarcastic territory.


The dress also has a side zip, which is not my favourite thing. It's a very well-designed side zip, but I'm just not a fan in general. I find them awkward to do up and would prefer not to have to. I'm not sure what I'd replace it with, though, since I don't think a back zip would look very nice (especially with the waist ties). It's one of those necessary evils and I don't think it would put me off making the dress again.


I am very pleased to have another slightly over-the-top cocktail bar dress. I don't know how many versions of this pattern I'll make in the future - this is quite a specific look and I don't think the more casual version is very me. What I am considering is another one like this in stretch velvet. I think it would be an amazing winter party dress and would also allow me to dispense with the side zip. I'd probably need to change up the sleeves, but that's easily doable.


Dramatic walking!

I'm hoping to have a more motivated week of making simple things, since I'm actually quite lacking in autumn/winter clothes. I didn't make that much last winter due to health, and the more basic pieces I made in the autumn haven't lasted that well (mostly because I was struggling to do anything and thus not putting the effort into fit and construction, but also slightly because I made a bunch of short full-skirted pieces that are now riding up somewhat in a potentially embarrassing fashion). The Knitting and Stitching show was last week and while I didn't buy much, I did find what I think might be my Holy Grail black ponte, and if nothing else I'd like to make the Vogue 9199 that I had planned for this past summer. Fingers crossed! 


Sass!

Monday, 8 October 2018

a rethink and an Olivia dress

As I predicted, just getting on with a second leather jacket in much more precious fabric hasn't been so simple. My anxiety is in a very unhelpful place right now (while I'm lucky enough to be able to get therapy on the NHS, they're very short blocks of sessions and the waiting list for escalated therapy is LOOOOONG) and I'm not doing myself any favours by insisting that my next project has to be complicated and time-consuming.

What I want to do for now is to give myself a shorter list of fun things I can use to give myself a kick-start. I still intend to make everything from my autumn list, even if I carry some of it over into December, but for right now I need some easy and/or fun things that don't have to be perfect and won't feel like the end of the world if I mess up. Here's what I'm thinking:

1. Deer and Doe Magnolia dress. I wasn't huge on D&D's last collection (I think I'm the only person in the entire sewing world who didn't like the look of the Myosotis), but I LOVE both their new patterns. I've got too many coat patterns in the queue to justify another one, but I can absolutely find room for a winter maxi evening dress. I'd make view A with the neckline from view B because lol no bra, in a navy textured silk-like viscose I got at a substantial discount from a stall in Walthamstow Market. It's nice to be a regular.

2. A simple sweater knit top. Simplicity 1613 is on my list, but I keep putting it off because while I recall exactly how frustrating it was trying to work out what to do, I do not recall what I eventually did. Yay! So I'm going to make one of my favourites - either a long-sleeved Wanted top or a cropped sweater, or possibly both -out of black and white striped sweater knit.

3. A Yoyo dress. A red denim Yoyo was on my list for summer, and I did make it, but it's not really wearable. It's tighter than my previous version (I accidentally closed up too much of the dart when doing an FBA, didn't realise, was confused when the skirt didn't match the top and put an extra pleat into the skirt. Which actually looks good, but it's not in any way a comfortable dress) and SUPER short at the zip. The instructions call for a 24" zip, I lengthened it by two and it's still kind of crotchy. I'm going to try again, using the red Mood linen I couldn't find a use for, and extending the skirt by another four inches. It's not especially seasonal, but hey, maybe I can layer it up.

Those are the three I have the ideas and all the elements for currently. It's the Knitting and Stitching show this weekend, so I may find a sparkly new project there too. Fingers crossed that this works as a sewjo-boosting method...

While we're here, a few weeks ago I made another Olivia dress!


I'd made six of these prior to this one, four of which survive (I was sadly right to be concerned about the longevity of the black fabric, and the purple one just made me cross every time I wore it because it wasn't purple enough), but the only one I was wearing with any regularity was the original orange version. I wondered about this for a while before concluding that there were two problems: all the others are longer with full-length sleeves, which makes them feel more formal and less appropriate for everyday running around; and they're made out of thinner, clingier viscose jersey which a) is more annoying and b) doesn't lend itself to being cut shorter. So the obvious conclusion was: more Olivias!



I got the idea for a sweater knit Olivia when I saw this fabric at Fabric Land in Bristol. (Every time I go and visit my parents I take less and less with me, so that it'll be easier to bring 12+ metres of fabric back with me on the train if Fabric Land is having a good day.) Fabric Land's sweater knit varies hugely in quality, but this is really nice, soft and super comfortable, with no horrible static rips when I try to take it off. I had it in my head that the print was more abstract than this and didn't realise until I was pinning the side seams that the lack of stripe matching was going to look really off. I managed to fudge it to a partial match, which I think is OK. 


I've already worn this a ton and it's going to be great for when it starts getting colder. This is exactly the right length and though I think I'd prefer the overall look with shorter sleeves, I don't want to cut them down any more for fear of messing with Future Jen's comfort and winter warmth. (I did take a few inches off, though - for anyone who hasn't read about my extensive history with this pattern, the sleeves as provided are full-length and cover the wrists.)


My plan is to get started on the D&D Magnolia today, so barring some huge disaster I should have that ready to post by next week. Wish me (and my douchey anxiety brain) luck!